CFP: Conf. on Public art & community
CALL FOR PAPERS: 2010 Conference: “Art on the Street”
The Korean Society of Art Theories, Seoul, KOREA
October 24, 2010
We seek to build upon the recent discussion on public art and community by
investigating specific examples of the practices of contemporary art in
particular contexts. We pay attention to the way in which the process of
creation, perception, and reception of the artwork relates to the formation
of a community. We invite papers on mural projects, site-specific urban
planning projects, parks, public monuments, and other types of
community-oriented projects. Discussions on a project or network of
activities that form relationships among participants and a public are also
encouraged. At the same time, we hope to explore artistic practices that
resist or negotiate in terms of everyday life, localization, globalization,
and social and cultural structures. We also encourage papers that revisit
the issue of memory of community. While proposing art as potential means of
collective empowerment, we aim to investigate art that invokes or produces a
community. All perspectives and methodologies are welcome.
CFA Public Practice Program
Otis College of Art and Design
Otis Graduate Public Practice Program Call for Applications
Los Angeles–global center of public practices by artists and collaborative groups–is the dynamic setting for Otis’ MFA in Public Practice with studio facilities in the historic 18th Street Art Center. From the beginning, students are encouraged to find themselves as emerging professionals within this vast cultural and spatial geography. Suzanne Lacy, the renowned artist, educator, theorist of socially engaged public art and author of the influential Mapping the Terrain: New Genre Public Art, directs the Program.
CFP Electronic visualisation & the arts
ELECTRONIC VISUALISATION AND THE ARTS
EVA London 2010
Monday 5th – Wednesday 7th July 2010
CALL FOR PROPOSALS
Deadline: 15th January 2010
http://www.eva-conferences.com/eva_london/
Visualising ideas and concepts in culture, heritage and the arts: digital arts, sound,
music, film and animation, 2D and 3D imaging, European projects,
archaeology, architecture, social media for museums, heritage and fine art, photography, computer arts
OFFERS OF PAPERS, DEMONSTRATIONS AND WORKSHOPS by 15 January 2010
We invite proposals of papers, demonstrations or short performances,
workshops or panel discussions. Only a summary of the proposal on not more
than one page is required for the selection process. this must be submitted
electronically according to the instructions on the EVA London website,
http://www.eva-conferences.com/eva_london/.
Proposals may be on any aspect of EVA London’s focus on visualisation for
the arts and culture, broadly interpreted, including technology, use and
users, creative, visual and performing arts and music and visualisation for
museums, historic sites and architecture. Papers are peer reviewed and may
be edited. They will be published as hard copy and online. Other
presentations may be published as summaries or as papers.
If your proposal is a case study, we will be looking for discussions of
wider principles or applications using the case study as an example.
Bursaries to attend EVA London will again be available if you don’t have
access to grants.
EVA London’s conference themes will include, but are not limited to:
* Digital and computational fine art and photography
* Reconstructive archaeology and architecture
* Visualising ideas and concepts
* Moving and still images in museums and galleries
* Digital art
* Digital performance
* Historic sites and buildings
* Immersive environments
* Web 2.0 technologies in art and culture
* Visualisation in museums and historic sites
* Sound, music, film and animation
* Technologies of digitisation, 2D and 3D imaging
* Virtual and augmented worlds
For further information see http://www.eva-conferences.com/eva_london/
EVA London 2010 will be co-sponsored by the Computer Arts Society, a Special Interest Group of the British Computer Society, and by the BCS.