Social
Spaces

SKOR organizes a lecture and debate on Google & privacy, following the latest issue, nr. 19 of Open. Cahier over kunst en het publieke domein, entitled Voorbij Privacy.

More info: http://www.skor.nl/article-4925-nl.html

“A festival in a Must Go Zone. The Brussels Festival Kanal projects are artistically diverse and explore cultural, social, political and historical issues, but they have one thing in common: they literally get the public moving. As Brussels edges its way westwards, the various districts around the canal are gradually being incorporated into the city centre. Some changes are already under way, others are on their way: streets are being revamped, development plans drawn up and new projects given the green light. At the same time the gap is widening between rich and poor, between those with a qualification or a job and those without.Yet because of its mix of different nationalities, languages, smells, colours and vibrant young population, this is Brussels at its best – a powerful mélange with an unseen reserve of energy, creativity and joie de vivre. Unfortunately, these communities don’t always have the opportunities they deserve. Unfortunately, a none too rosy picture of this part of Brussels is often conveyed to the outside world.” Source, Full programme and more info

Participants sought for the art project ’Short Cut Leuven’ by Stijn Van Dorpe

“Short Cut traces an imaginary straight line (a ‘short cut’), via a group of walking people, through Leuven. The aim is to form a line and walk a trail between Naamsevest and Engels Plein, straight across private property, public buildings, streets and squares. In this way Van Dorpe reconnects the private to the public, while making us think about topics like “living in the city,” “loss of privacy” etc.” Source & more info

Laatste update programma

Z33 – ZEBRA DELUXE

KUNST IN DE OPENBARE RUIMTE: do. 23.09

19u00: Vertoning “Nearly Present, Just Past” met inleiding door Cel Crabeels

20u15: Vertoning documentaire over ‘Innercoma’ aansluitend gesprek met kunstenaar Philip Metten en Jan Boelen (artistiek directeur Z33)

I discovered this very interesting article about the meaning of Participatory Art and how it relates to concepts like space and time. Paul O’Neill - currently also investigating the art in public space landscape in Flanders – makes a difference between three stages of Participatory Art, being relational, social and durational art. While the first relates to what Bischop described as the authored tradition (expert vision), “social art” relates to a more community oriented and de-authored tradition (participatory vision). The third term “durational ” that O’Neill introduces is quite interesting. It gathers the first two terms in one concept (and in that way is able to go beyond a dichotomy) and adds one additional trait, namely time. Durational art produces “work” that keeps on generating social interactions after the artist has left the project site. This is of course very important when artists try to create work for a participatory culture (for more discussion around the concept of participatory cultures, join the discussion online, next wednesday!).